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Chris Rock’s Selective Outrage Is an Hour of Buzzwords, 7 Minutes on Will Smith, and Nothing Special

Comedian Chris Rock is known for his biting social commentary and provocative humor, but his latest stand-up special, “Tamborine,” falls short of expectations. The hour-long performance is filled with buzzwords and catchphrases, but lacks substance and fails to deliver any real insight.

Rock’s routine is filled with selective outrage, focusing on hot-button issues such as police brutality, racism, and the #MeToo movement, but offering little in the way of solutions or constructive criticism. His jokes about the black community, particularly its relationship with law enforcement, are familiar territory for him, but they come across as tired and predictable.

Perhaps the most disappointing aspect of “Tamborine” is the amount of time Rock spends on his personal life, particularly his divorce. While it’s understandable that he would want to share his experiences with his audience, it feels like he’s using the platform to vent his frustrations rather than entertain or enlighten.

Rock’s comments on Will Smith, which take up a mere seven minutes of the special, are particularly underwhelming. He accuses Smith of being “too happy,” suggesting that he’s not a “real” black man because he doesn’t share Rock’s anger and frustration. This is a tired and damaging stereotype that does nothing to advance the conversation on race or culture.

Overall, “Tamborine” feels like a missed opportunity for Rock to use his considerable talent to address the issues that affect us all. Instead, he relies on easy laughs and tired cliches, offering little in the way of substance or insight. Rock is capable of so much more, and it’s disappointing to see him coasting on his reputation rather than pushing himself creatively.

In conclusion, while Chris Rock’s “Tamborine” may be a must-see for die-hard fans of the comedian, it falls short of his usual high standards. The special is filled with buzzwords and catchphrases, but little substance or insight. Rock’s selective outrage and personal anecdotes dominate the routine, leaving little room for meaningful commentary on the issues that affect us all. While Rock is certainly capable of delivering great comedy, “Tamborine” is not his best work and ultimately fails to impress.

The 58th Annual Cinema Audio Society Awards took place on March 19, 2022, and Top Gun: Maverick was the big winner of the night. The film, directed by Joseph Kosinski, took home the award for Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action, beating out strong competition from films such as Dune and No Time to Die.

The Cinema Audio Society Awards are highly regarded in the film industry and recognize excellence in sound mixing for both film and television. The awards are voted on by the society’s members, which include sound mixers, sound editors, and other professionals in the field of audio post-production.

Top Gun: Maverick is a highly anticipated sequel to the 1986 film Top Gun, which starred Tom Cruise as Pete “Maverick” Mitchell, a talented and reckless Navy fighter pilot. The sequel sees Cruise reprising his role as Maverick, who is now a flight instructor for a new generation of pilots.

The sound mixing in Top Gun: Maverick is a key component of the film’s success, as it effectively captures the high-flying action and adrenaline-fueled excitement of the aerial dogfights. The sound team behind the film worked tirelessly to create a sonic experience that would immerse the audience in the world of the film and make them feel like they were right there in the cockpit alongside Maverick and his fellow pilots.

One of the standout sequences in the film is a thrilling aerial battle that takes place in a canyon. The sound team had to create a soundscape that would convey the speed and danger of the flying maneuvers while also capturing the echo and reverberation of the sound in the canyon walls. The result is a heart-pumping sequence that is not only visually stunning but also aurally immersive.

The sound mixing in Top Gun: Maverick is also notable for its use of music. The film features a score by composer Harold Faltermeyer, who also scored the original Top Gun. The iconic theme from the original film, “Danger Zone,” is also prominently featured in the sequel. The sound team had to carefully balance the music with the other sound elements in the film, making sure that it added to the overall experience without overpowering the dialogue or sound effects.

In addition to the sound mixing award, Top Gun: Maverick was also nominated for the Cinema Audio Society’s Outstanding Achievement in Sound Editing – Motion Picture – Effects/Foley and Dialogue/ADR categories. These nominations further highlight the film’s exceptional sound design and the skill and talent of the sound team behind it.

Overall, Top Gun: Maverick’s success at the Cinema Audio Society Awards is a testament to the film’s outstanding sound mixing and the talent and dedication of the sound team behind it. The film is a thrilling and immersive experience that transports the audience into the high-stakes world of aerial combat, and the sound is a crucial element in creating that experience. The recognition from the Cinema Audio Society is well-deserved and highlights the important role that sound mixing plays in the success of a film.